The exhibition includes twelve portraits of artists who use photography in their practice. Some are his friends; others are colleagues and former students. The encounters with fellow artists transcend the final photographs taken. Each portrait embodies an encounter between different approaches, themes, and techniques. Just as in the endemic belief that something is robbed of the soul at the moment the photograph is taken, Adika asks his fellow photographers for much more than their image. He uses the encounters to debate the medium itself. Not unlike a wildlife photographer, he sets out to capture the members of his own species to learn something, from them, about his own identity.